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Lumpy Dumpy Buuu - Coleccion Personal Serum Presets screenshot
Serum Presets | 35.75 MB
hi friends, I wanted to tell you a happy new year, as I know and left packages of presets before as a gift, but already wanted to make a better pack, so I hope you like it and you can take advantage, this contains.

80 Presets for Serum

> 3 Arps
> 49 Basses
> 3 Chords
> 5 Fxs
> 4 Leads
> 2 Pads
> 3 Plucks
> 2 Subs
> 6 Synths
> 3 Vocals

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Reverb Machine TAL U-NO-LX Presets screenshot
TAL U-NO-LX Presets | 433.94 KB
Nostalgic eighties synth goodness.
An instant classic, the Roland Juno synths have a flair for bringing warmth to any track they touch. With the killer combo of digital oscillators and that legendary chorus sound, the Juno synths are a true beast. With these 138 patches for TAL U-NO-LX, you’ll have the recognizable full range of classic Juno sounds at your fingertips.

That Juno Chorus
The Juno-60 came equipped with an arpeggiator function. You'll find a variety of arpeggiator patches, including Chiptune Chords, Stranger Things Arps and Synthwave Basslines, that trigger DAW-synced 8th note basslines, perfect for synthwave music and driving basslines!

Although usually associated with chorused chords and leads, the Juno synths could also provide some monster bass. The patches are divided into Brassy, Long and Plucked, letting you easily find a bass patch for your production. The sounds run the gamut from thin, soulful basses to huge, powerful tones, and also included are some rumbling basses perfect for soundtrack work.

The combination of digital oscillators and an analog chorus is a great combination for ambient pads. Some of my favourite presets are the Drifting Keys patches, reminiscent of Boards of Canada, the self-explanatory Ambient Eno patches, and the Ethereal patches that take U-NO-LX into strange places.

The patches are perfect for use in psychedelic, indie, ambient and synthwave music, and were designed to inspire new compositions. The original Juno specialises in chorused-leads, swirling pads and huge bass sounds, and you'll find all the Tame Impala, Mac DeMarco, Pond, Homeshake and Timecop1983 patches from my tutorials in this preset bank alongside patches that push the Juno sound to new limits.


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Plugin Alliance Chop Shop v1.0.0 AU Ked MAC-DDP

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Plugin Alliance Chop Shop v1.0.0 AU Ked MAC-DDP screenshot
DDP | 31 Dec 2018 | 145.4MB
The Chop Shop plugin sports a super intuitive interface that allows users of all skill levels to quickly address tonal issues in their audio and enhance the original character of sounds in a musical and transparent way.

It is a faithful digital recreation of the famous 500 series analog EQ from Louder Than Liftoff.

This plugin not only perfectly reproduces the pristine sound of the original but also offers extra features that extend the functionality of this already versatile tone shaping tool.

Whether you are cleaning up multiple recordings from a hectic session or looking for a way to make your synths stand out in the mix, Chop Shop has got your back.

With the ability to quickly enhance the clarity or low end punch of any sound Chop Shop’s simple feature set belies it’s underlying power.

Chop Shop is the perfect tool to use across entire sessions. CPU efficiency coupled with musical transparency make Chop Shop ideal for eliminating masking and enhancing intelligibility.

Features
FOCUS: intuitive single-knob tilt-style
EQ. Achieve the perfect tonal balance quickly. LO-CUT: 12 dB/oct filter that rolls off low frequencies, variable from 20 to 530 Hz.
BUMP: variable resonance control for LO-CUT. Adds a resonant 'bump' at the corner frequency. MORE switch increases resonance dramatically.
LO-RIDER mode: (Plugin only feature) Transforms LO-CUT section into a low pass filter with variable resonance (BUMP). Blend with the non-low passed signal for massive sounding low end.
HI-CUT: 6 dB/oct filter that rolls off high frequencies whilst simultaneously retaining apparent brightness.

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Detunized Composite Keys LIVE screenshot
ALP - 524 MB
Composite Keys features sounds from the WSA1, the one and only synthesizer ever made by a world-famous turntable manufacturer. With its coolish and digital acoustic modeling sound the WSA1 didn´t make it to everyone´s heart so today it definately has found its place in the Top 10 of the most underrated synthesizers ever.
Detunized Composite Keys WAV KONTAKT SFZ SXT EXS FXP screenshot
WAV | KONTAKT | SFZ | SXT | EXS | FXP - 623 MB
Composite Keys features sounds from the WSA1, the one and only synthesizer ever made by a world-famous turntable manufacturer. With its coolish and digital acoustic modeling sound the WSA1 didn´t make it to everyone´s heart so today it definately has found its place in the Top 10 of the most underrated synthesizers ever.
Detunized Binaries LIVE screenshot
ALP - 320 MB
Binaries is a collection of FM sounds that where captured from a 90ies ISA soundcard. Almost every soundcard of this time contained an OPL3 chip that was capable of producing 4-Operator FM sounds from 8 different waveforms and several tricky algorithms.

According to these becnhmarks Binaries delivers a stunning collection of classical FM patches like Rhodes, Clavinet, Bells and Basses but also delivers several non-classified sound design patches. Each patch in the library is made of several velocity layers that reproduce the authentic sound of this time as it was heard in hundreds of computer games. Sampled from the soundboard´s noisy 16bit output all sounds introduce an unique mixture of pristine FM clarity and dusty digital to analog conversion.


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REQ: Virharmonic Bohemian Cello

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It has been over 3 years now since we have embarked on our journey to create something truly unique!
Instead of making another Virtual Instrument we have made a Virtual Performer™.
The easiest to use and the most inspiring VI we could ever make!
Sampled in our ever evolving "in momentum melodic" sampling technique.

We present the Bohemian Cello

REQ: Virharmonic Bohemian Cello screenshot

CELLO PERFORMER OVERVIEW
Our virtual performer is a new look at how to make virtual instruments. We aim to deep sample the performers themselves rather then just their instruments. Due to the amount of types of samples recorded, we have developed a virtual performer to handle the articulations, many types of legatos and bow selection for you as you play. This allows you to concentrate on playing and being inspired in a similar fashion you would be inspired by working with a real cellist. Virtual Performer has just been expanded with Expansion 1 delivering more varied types of performance, many new legato types, powerful Mood selection (Improv, Czardas and Emotive) allowing you to change the behavior of the cellist on the fly and as we go through the different expansion stages we will carry on our hunt for the ultimate VI tool. All you need is velocity sensitive keyboard, machine that fits minimum specs and a melody in mind.

REQ: Virharmonic Bohemian Cello screenshot

BOW STYLES , LEGATOS, MOODS AND FORCE KEYS
To make sure that the cellist doesn’t sound static and doesn’t fall to the common traps of other virtual instruments we had to sample a varied versions of bowings, large selection of legatos and bow styles, to offer enough variety and option to the users. The expanded version with unparalleled sample pool of 35000+ on single microphone position means that the variety is so complex that we have to use our Virtual Performer to handle more and more tasks. Moods allow us to do just that and yet allow you to control the Performers approach. Moods - changing complex behavior on the fly with a single keyswitch. For every note we have sampled over 32 variations including the on bow legatos in many dynamics, speeds and expression. Of course this still doesn’t account for 3 dynamics of Diminuendos going all the way to p- ppp with 2 round robin repetition and of course our short notes (Staccatos, Spiccatos and Pizzicatos) which have 4 repetitions per bow and per one of the 3 dynamic layers. Our Legato is fluent and with dynamic bowing and bow direction in the same spirit as the rest of the library, so instead of having simple transition crossfades we have captured the onbow legato in varied speeds and dynamics as well as expressions. Each of these articulations or moods can be forced on the performer using a assignable force key giving you the ultimate control over the performer should you choose to adjust his behavior.

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Detunized Binaries WAV KONTAKT SFZ SXT EXS FXP screenshot
WAV | KONTAKT | SFZ | SXT | EXS | FXP - 431 MB
Binaries is a collection of FM sounds that where captured from a 90ies ISA soundcard. Almost every soundcard of this time contained an OPL3 chip that was capable of producing 4-Operator FM sounds from 8 different waveforms and several tricky algorithms.

According to these becnhmarks Binaries delivers a stunning collection of classical FM patches like Rhodes, Clavinet, Bells and Basses but also delivers several non-classified sound design patches. Each patch in the library is made of several velocity layers that reproduce the authentic sound of this time as it was heard in hundreds of computer games. Sampled from the soundboard´s noisy 16bit output all sounds introduce an unique mixture of pristine FM clarity and dusty digital to analog conversion.


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Zedd and Ariana Grande - Break Free MP3 [Almost Studio Acapella] screenshot
MP3 320kbps | 3.04 MB
Hollywood Edge The Edge Edition Cdda-CoBaLT screenshot
Team CoBaLT | 06-12-2003 | 918.96 MB
"The Edge Edition was my first purchase. I needed to be competitive, and I had to work on a budget. The Edge Edition was a natural choice. When it arrived in my studio I was amazed by over 800 newly created sound effects. Two projects later, the collection was completely paid for!

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